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directed by Baz Luhrmann
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In twenty years, I can guarantee
that no one will be looking at the films of Ron Howard. The cinematic significance of
films like Far and Away, Splash and A Beautiful Mind will rank up there with other Academy
blockbusters like Titanic and Gladiator. Howardss films lack innovation or style. At
best, he makes functional movies that tug on the heartstrings at all the right moments. Baz Luhrman, on the
other hand, is a director whos going to have to wait a little for the recognition he
is due. Ironically, the Academys inability to recognize vision is mirrored in
Luhrmans Strictly Ballroom. If he had had a crystal ball, he couldnt have told
the story with more accuracy. Strictly Ballroom is one of those great films that can be
different things to different people. To some, it may be no more than a Pygmalianesque
love story; to others, it may just be a film about ballroom dancing; and to others it is
the story of an artist trying to find his own voice. Ive heard it compared to films
as different as Dirty Dancing and Babettes Feast. It is one of the few films to
embrace the marginalized artist and the pop culture junkie with the same enthusiasm.
Scott just wants to dance while everyone around him wants him to win the Pan-Pacific
Grand Prix in ballroom dancing. He tries to oblige those around him by dancing strictly by
the numbers. Unfortunately, he cant seem to keep himself from dancing his own
self-made moves. These moves of his spark a mini-revolution in the ballroom dancing
community and hes ultimately left choosing the girl and his own voice or the
Pan-pacific Grand Prix. Theres never any doubt about what he will choose as the
movie draws to a close. Strictly Ballroom is so overwhelmingly optimistic that some might
call it naïve. Any opposition that the two dancers face is easily brooked, and by the end
of the film, not only do Fran and Scott get to dance their moves, but the whole community
accepts them.
One of my favorite things about this movie is that
it avoids all the trappings of the standard romance movies. Unlike most films featuring a
pair of lovers from different worlds, this film has no edge of suspense. Because
theres no doubt about how things will turn out, the film doesnt see the need
to manipulate the feelings of the audience. One of the films most significant
caveats is that it completely leaves out the obligatory break-up scene. That scene has
been played out in every Freddie Prinze movie to date where the boy or girl says that it
just cant work out. One minute Scott is dancing with Fran, the next minute hes
dancing with someone else. We all know whats happened between the two cuts and
thats enough.
One of the most significant moments in the film for me occurs when Scott tries to get a
straight answer from one of his friends. He had just lost a dance contest by dancing his
own crazy moves and he asks his friend, "Did you like my moves?" His friend
doesnt know the right answer and can only reply, "I dont know." This
is an even bigger blow than saying, "Those moves were horrible." Scotts
friend cant comment on the new moves until hes been told what to
think.
There are some nice features on the DVD that should
please fans of the film. It certainly lacks the depth of a disc like Moulin Rouge, but
Ive always felt that a good commentary is more valuable than a bucket full of
trailers and promotional videos. Besides the commentary, the disc also presents us with
some production stills and a short documentary that inspired the story. Im really
looking forward to the release of the Red Curtain Trilogy box set and the promise of some
extras that not only look at the individual films, but also look at the films as a whole.
The disc also has a nice transfer and a remixed Dolby Digital 5.1 soundtrack.
The film ends on a note of pure joy that transcends the music, the dance When Paul
dances at the end of the film he knows that hes got no chance of winning. He just
wants to dance. The message is simple, "Success in art will always be independent of
contemporary critics." Than the film could be so unabashedly positive and message
laden is a real testament to Luhrmans vision. Luhrman is one of the most important
directors working today. Whether you like his work or not is irrelevant. I think its
impossible to watch his films without reacting to them in one way or another. The reaction
to Strictly Ballroom might be a little muted when compared to the feelings evoked by
Moulin Rouge or Romeo and Juliet, but those feelings are no less significant.
Jason Frank (04/16/2002) |
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